press (off feed) / Old press /

“…T: I love when I can’t imagine the film without it..I don’t know if you’ve seen the show Utopia yet, but thats a great example of the music being a really powerful character – and the show is amazing, but the music pushes it over the edge… just killer… it actually made me go back […]

“…Die Sonne bescheint ein überkoloriertes, unwirkliches Land. Mag das Tageslicht in anderen Welten Trost spenden, hier erhellt es eine grelle Kulisse, hinter der Finsteres geschieht. Garniert mit derbem bis abstrusem Humor und einem hypnotischen Soundtrack, präsentiert sich die Gesamtkomposition wie ein Mix aus der Thrillerserie “Homeland” und der halluzinogenen Kindermär “Alice im Wunderland”…” Read the article […]

“The ambitious scores of Game of Thrones, Utopia and new US drama The Knick are bringing a new dimension to music on TV…” Read the article here

“…wenn man uns persönlich nach unserem Serienhighlight 2013 fragen würde, so müssten wir Dennis Kellys beängstigend guten Sechstteiler an allererster Stelle nennen… Read the article here

“Composer Cristobal Tapia de Veer has, thankfully, broken the mold entirely with his music for the BBC’s The Crimson Petal And The White… Abstract instrumentals with unintelligible vocal sounds – reminiscent of an avant-garde indie record – weave in and out of the episodes…. With Tapia de Veer’s music having contributed so much to the […]

“…He’s been a longtime favorite for us at AE35 Media. His combination of sound design elements and percussion always make for a moody backdrop that remains compulsively listenable. All of these songs are the ones he contributed to the album “A Future Darkly,” and can be heard on Spotify. To get a sample of his […]

“…There was the woozy, gauzy, brilliantly claustrophobic atmosphere – the product of Cristobal Tapia de Veer’s score and Marc Munden’s exceptional, stylish, unselfconscious direction. This was an adult drama in every sense, and as complex and rewarding as anything the BBC has produced. In a nutshell: core…” Read the article here

“…the composer, Cristobal Tapia de Veer, set out to subvert – he welded the squelchings and rumblings of modern electronica to a tableau from the 1870s in the way that Radiohead’s Jonny Greenwood did in his score for There Will Be Blood…” Read the article here

“…The music produced is as eclectic as its instruments. Like a gallery of modern art it bypasses your logic centres and goes straight for a gut reaction. Its creepy electronic tones, unidentifiable moans and vocal rips make it an unsettling, often dislocating experience: one that leaves you feeling like the test subject at the centre […]

“…El score de la serie corre a cargo del compositor chileno Cristobal Tapia De Veer, quien ofrece un trabajo que va en consonancia con las imágenes, rítmico y percusivo, lleno de instrumento étnica de todo tipo (solo hay que escuchar el tema central), y con sonoridades innovadoras y experimentales (como el corte Discolate Thumbs)…” Read the […]

“…director (Marc Munden) makes refreshingly bold choices for the camera and the music. He uses hazy focus and off-kilter framing to set us off-balance, and the soundtrack ranges from gnawing electronic hums to choral ecstasy. It’s all brilliantly, effectively, appropriately jarring, even if it sends the “Masterpiece” crowd to the medicine cabinet for Dramamine…” Read the […]

“…And let’s not forget the soundtrack. Quirky and atmospheric at the same time, I don’t know if Utopia would work as well without it…” Read the article here