The Girl With All the Gifts review – provocative and imaginative 4 / 5 stars Posted on July 31, 2018August 22, 2020 In this endeavour he is assisted by a superb score by Cristobal Tapia de Veer, best known for his work on TV’s Utopia and, more recently, National Treasure. Using treated human voices to create theremin-like wails and unearthly rumbles, the Chilean-born composer has conjured a shimmering soundscape that is every bit as integral to the film’s uncanny power as Mica Levi’s […] read more
‘National Treasure’ Review: Hulu Drama About Rape Scandal Is More Than Just a Timely Cosby-esque Tale Posted on July 31, 2018September 21, 2021 There are plenty of elegant touches to the filmmaking — the score by Cristobal Tapia de Veer is fresh, unconventional and eerie, as are the closing credits sequences, which differ from episode to episode and add unnerving context to the action. Read the full article here read more
D’“Utopia” à “The Last Girl”, Cristobal Tapia de Veer, compositeur de différence Posted on July 31, 2018November 3, 2021 Longue barbe taillée en pointe, moustache en guidon, lunettes aux verts rouges, cheveux hirsutes, Cristobal Tapia de Veer ne passe pas inaperçu. Récompensé par deux FIPA d’Or, à Biarritz, en janvier dernier, ce Canado-Chilien s’est imposé comme un des compositeurs les plus atypiques de sa génération. Son style, mélange d’électro, de classique, de voix distordues et de sons […] read more
Cristobal Tapia De Veer busca ideas inspiradoras en Canneseries Posted on January 31, 2018October 23, 2021 Montreal/Cannes, 5 abr (dpa) – El chileno Cristobal Tapia De Veer, miembro del jurado de Canneseries, el primer festival internacional de series de televisión que se celebra en la ciudad francesa, aseguró hoy a dpa que busca ideas inspiradoras. En entrevista telefónica desde Montreal (Canadá), apenas unas horas antes de montarse al avión para viajar […] read more
Scorn #1, review by Don Macpherson Posted on September 13, 2017May 3, 2019 “…There’s a gritty intensity to the art that’s in keeping with the tone of the story, and the somewhat unconventional approach to the sequential art really allows artist Phillip Neundorf’s work to stand out. This is a solid debut effort from two unknowns, and I suspect that as they hone their storytelling in the coming […] read more
Scorn #1, Interview w. Nick Defina by John L. Daniels Posted on September 13, 2017May 3, 2019 “…Scorn reflects the harsh reality of how current society has evolved.(…) It is a book that is filled with emotion and it can be seen through the amazing artwork of Philipp Neundorf. It’s a story of how an individual takes matters into his own hands when no one else would. Scorn reflects the harsh reality […] read more
Scorn #1, review by Ryan Midnight Posted on September 13, 2017May 3, 2019 “…To provide the art for the story, Moyers turned to artist Philipp Neundorf. Neundorf has had a rich past in providing comic book art, pinups, covers, and graphic designing. The proper art can provide an important and vital visual look into the state of being in stories that revolve around the emotional core of a […] read more
Max und Murat Posted on September 13, 2017May 3, 2019 Dirk Bernemann prügelt sich in einer Schreibhaltung zwischen Bertolt Brecht, Franz Kafka und Wilhelm Busch acht Strophen lang durch den sozialkritischsten seiner Texte, während Philipp S. Neundorf Bilderfolgen summen lässt, die den Text nicht nur untermalen, sondern ein ganz eigenes farbenreiches Universum erschaffen. Zusammen ist es den beiden gelungen, den Kinderbuchklassiker Max und Moritz moralingetränkt […] read more
Max und Murat Buch (9* von 10), Rezension von Blackrose Posted on September 13, 2017May 3, 2019 “…Herausgebracht hat dieses künstlerische Kleinod der Unsichtbar Verlag unter dem Namen “Max & Murat”, der dem geneigten Leser und Betrachter diese 24-seitige Sozialkritik für wenige 5 Euro darbietet. Da heißt es zugreifen, denn das Gespann Bernemann und Neundorf tobt sich hier gelungen aus und bietet eine kurzweilige, dafür aber nachhaltige und zum Nachdenken anregende Unterhaltung…” Read […] read more
DCLXVI, preview by Michael Hutchison Posted on September 13, 2017May 3, 2019 “Inkplosion is now highlighting the latest work of Philipp S. Neundorf, called “DCLXVI.” It’s very Vertigo-ish, full of mature content, so be warned. Phil’s European, so the women are almost always naked…and you get to see a couple having sex to a George Bush speech. (Well, if you hadn’t clicked the link already, I bet […] read more
Ich hab’ die Unschuld kotzen sehen, Rezension von Oliver Lippert Posted on September 13, 2017May 3, 2019 “…Dirk Bernemann hat damals die literarische Welt in ihren Grundfesten erschüttert und hat sich das nun zum Beruf gemacht. Jetzt ist vor zehn Tagen die Comicversion erschienen, dessen Zeichnungen zwar gut, wenngleich aber auch gewöhnungsbedürftig sind, (stilistisch gesehen) aber die Kraft des Schlages ist nicht mehr so stark. Aber es ist dennoch wahrlich interessant zu […] read more
Scorn #1 (5* out 5), review by John L. Daniels Posted on September 13, 2017May 3, 2019 “…Passionately written, the story evokes sentiments of injustice. Moyers writes what others would like to do by the victim’s friends or family who are left behind. The artwork by Philipp S. Neundorf is harrowing and displayed eloquently as seen by the characterizations in the panels. Scorn #1 is a quality title by the sensational creative […] read more
Septagon Studios’ Debut Title “Scorn” Garners Critical Acclaim, Dan Schaffer Posted on September 13, 2017May 3, 2019 “A violent revenge tale illustrated with emotive sepia-toned expressionist art, the likes of which are rarely seen in comics nowadays. Neundorf’s fine art techniques and understanding of dynamic comic book storytelling are employed here with beautiful results as he skillfully extracts the tone, spirit, and intent of the story and burns it straight onto the […] read more
Ich hab die Unschuld kotzen sehen – Interview mit Philipp S. Neundorf von Christian Muschweck Posted on September 13, 2017May 3, 2019 “…Ich finde es spannend, vorher nicht zu wissen, wie das nachher aussieht. Ich will mich so lange wie möglich selber überraschen. Offen bleiben für Möglichkeiten einer Idee, die ich am Anfang noch nicht gesehen habe oder die im Laufe des Prozesses entstehen können. Gerade im Comicbereich sind Zeichner recht festgefahren. Auch, weil sie in der […] read more
Ich Hab Die Unschuld Kotzen Sehen Buch (8* von 10), Rezension von Hypnotoad Posted on September 13, 2017May 3, 2019 “…Allerdings hat die Form des Comics einen Vorteil gegenüber dem klassischen Roman: Bilder! Und da ist Neundorf definitiv ein ganz Großer. Seine Art zu zeichnen ist extrem direkt und explizit. An diesen Stil muss man sich zunächst einmal gewöhnen. Hat man dies jedoch getan, rückt der Text fast automatisch gänzlich in den Hintergrund, denn Neundorf […] read more
Scorn #1, review by Ambush Bug Posted on September 13, 2017May 3, 2019 “…Artist/writer Moyers Neundorf does a great job of conveying a somber and dark mood in his panels. Scratchings and smudges are all over the place to convey the muddy feelings that these pages are filled with. And he makes it a pretty compelling read, even though the story of revenge is a well tread road. […] read more
Scorn #2, review by Dave Baxter Posted on September 13, 2017May 3, 2019 “Neundorf not only produces pictures on a par with any Ben Templesmith template of color and expressionistic action, but he also, into every panel, works an overlay of nearly abstract enhancement, an exoskeleton of squiggly off-color action lines and subtly woven-in miniature frames which subliminally lead the reader’s eyes from detail to detail. If you’re […] read more
THE BEST SOUNDTRACKS OF 2013 by MOJO staff, United Kingdom Posted on September 12, 2017May 3, 2019 From electro-psychedelic overload to tightly wound sex-club funk and existential Gallic jazz, we salute the top 10 soundtracks of the year. #4 UTOPIA OST – Cristobal Tapia de Veer Dennis Kelly’s apocalyptic conspiracy thriller was one of the TV highlights of early 2013 but if Kelly’s visceral mix of suspense, sex, horror and dark comedy […] read more
Montréal screen composer takes on the world, interview by Sarah Lévesque, CA Posted on September 12, 2017September 20, 2021 “…When asked to describe his musical style as a composer, de Veer thinks for a few seconds, and then launches into an explanation of his approach outside the film music profession’s conventions. “I like looking at the music of a film or series as if it were a character in itself,” he says…I like to […] read more
The Crimson Petal and the White by David Butcher, United Kingdom Posted on September 12, 2017May 3, 2019 “…Everything contributes to the claustrophobic atmosphere: the dreamlike, shallow-focus photography; the strange, breathy music (take a bow, Cristobal Tapia de Veer); and tiny details like the hissing of the gaslights on the landing of William’s house…” Read the article here read more