Septagon Studios’ Debut Title “Scorn” Garners Critical Acclaim, Dan Schaffer Posted on September 13, 2017May 3, 2019 “A violent revenge tale illustrated with emotive sepia-toned expressionist art, the likes of which are rarely seen in comics nowadays. Neundorf’s fine art techniques and understanding of dynamic comic book storytelling are employed here with beautiful results as he skillfully extracts the tone, spirit, and intent of the story and burns it straight onto the […] read more
Ich hab die Unschuld kotzen sehen – Interview mit Philipp S. Neundorf von Christian Muschweck Posted on September 13, 2017May 3, 2019 “…Ich finde es spannend, vorher nicht zu wissen, wie das nachher aussieht. Ich will mich so lange wie möglich selber überraschen. Offen bleiben für Möglichkeiten einer Idee, die ich am Anfang noch nicht gesehen habe oder die im Laufe des Prozesses entstehen können. Gerade im Comicbereich sind Zeichner recht festgefahren. Auch, weil sie in der […] read more
Ich Hab Die Unschuld Kotzen Sehen Buch (8* von 10), Rezension von Hypnotoad Posted on September 13, 2017May 3, 2019 “…Allerdings hat die Form des Comics einen Vorteil gegenüber dem klassischen Roman: Bilder! Und da ist Neundorf definitiv ein ganz Großer. Seine Art zu zeichnen ist extrem direkt und explizit. An diesen Stil muss man sich zunächst einmal gewöhnen. Hat man dies jedoch getan, rückt der Text fast automatisch gänzlich in den Hintergrund, denn Neundorf […] read more
Scorn #1, review by Ambush Bug Posted on September 13, 2017May 3, 2019 “…Artist/writer Moyers Neundorf does a great job of conveying a somber and dark mood in his panels. Scratchings and smudges are all over the place to convey the muddy feelings that these pages are filled with. And he makes it a pretty compelling read, even though the story of revenge is a well tread road. […] read more
Scorn #2, review by Dave Baxter Posted on September 13, 2017May 3, 2019 “Neundorf not only produces pictures on a par with any Ben Templesmith template of color and expressionistic action, but he also, into every panel, works an overlay of nearly abstract enhancement, an exoskeleton of squiggly off-color action lines and subtly woven-in miniature frames which subliminally lead the reader’s eyes from detail to detail. If you’re […] read more
Scorn #1, review by Don Macpherson Posted on September 13, 2017May 3, 2019 “…There’s a gritty intensity to the art that’s in keeping with the tone of the story, and the somewhat unconventional approach to the sequential art really allows artist Phillip Neundorf’s work to stand out. This is a solid debut effort from two unknowns, and I suspect that as they hone their storytelling in the coming […] read more
Scorn #1, Interview w. Nick Defina by John L. Daniels Posted on September 13, 2017May 3, 2019 “…Scorn reflects the harsh reality of how current society has evolved.(…) It is a book that is filled with emotion and it can be seen through the amazing artwork of Philipp Neundorf. It’s a story of how an individual takes matters into his own hands when no one else would. Scorn reflects the harsh reality […] read more
Scorn #1, review by Ryan Midnight Posted on September 13, 2017May 3, 2019 “…To provide the art for the story, Moyers turned to artist Philipp Neundorf. Neundorf has had a rich past in providing comic book art, pinups, covers, and graphic designing. The proper art can provide an important and vital visual look into the state of being in stories that revolve around the emotional core of a […] read more
Max und Murat Posted on September 13, 2017May 3, 2019 Dirk Bernemann prügelt sich in einer Schreibhaltung zwischen Bertolt Brecht, Franz Kafka und Wilhelm Busch acht Strophen lang durch den sozialkritischsten seiner Texte, während Philipp S. Neundorf Bilderfolgen summen lässt, die den Text nicht nur untermalen, sondern ein ganz eigenes farbenreiches Universum erschaffen. Zusammen ist es den beiden gelungen, den Kinderbuchklassiker Max und Moritz moralingetränkt […] read more
Max und Murat Buch (9* von 10), Rezension von Blackrose Posted on September 13, 2017May 3, 2019 “…Herausgebracht hat dieses künstlerische Kleinod der Unsichtbar Verlag unter dem Namen “Max & Murat”, der dem geneigten Leser und Betrachter diese 24-seitige Sozialkritik für wenige 5 Euro darbietet. Da heißt es zugreifen, denn das Gespann Bernemann und Neundorf tobt sich hier gelungen aus und bietet eine kurzweilige, dafür aber nachhaltige und zum Nachdenken anregende Unterhaltung…” Read […] read more
DCLXVI, preview by Michael Hutchison Posted on September 13, 2017May 3, 2019 “Inkplosion is now highlighting the latest work of Philipp S. Neundorf, called “DCLXVI.” It’s very Vertigo-ish, full of mature content, so be warned. Phil’s European, so the women are almost always naked…and you get to see a couple having sex to a George Bush speech. (Well, if you hadn’t clicked the link already, I bet […] read more
Asylum Press Releases “Digital First” Comic Book Mini Series Trenchcoats, Cigarettes & Shotguns Posted on September 13, 2017May 3, 2019 “…”Working with Philipp Neundorf was a writer’s dream, ” explains writer Chuck Brown, “though we bumped heads now and again he was able to take the world of Trench coats, Cigarettes and Shotguns to new heights.(…)Artist Philip Nuendorf reminisces about creating Trenchcoats, Cigarettes and Shotguns; “Doing a full color page a day for around three […] read more
‘Humans’ doubles down on Synths, interview by Mike Ayers, U.S. Posted on September 12, 2017May 3, 2019 “…For “Humans,” the overarching goal is to make the music askew the stereotypical cold, sci-fi sounds usually associated with the genre… The music often creates an eerie ambiance for the human-to-human and human-to-synth interactions.Tapia de Veer’s compositions aim to tap into that aspect of the story. “I don’t really know what to call the sound […] read more
The Crimson Petal and the White, final episode, review by Benji Wilson, United Kingdom Posted on September 12, 2017May 3, 2019 “…the composer, Cristobal Tapia de Veer, set out to subvert – he welded the squelchings and rumblings of modern electronica to a tableau from the 1870s in the way that Radiohead’s Jonny Greenwood did in his score for There Will Be Blood…” Read the article here read more
UTOPIA – 1ª TEMPORADA, Caio Vianna , Brasil Posted on September 12, 2017November 3, 2021 “…Cristobal Tapia de Veer, o compositor da trilha original da série, completa o círculo técnico criando uma das melhores músicas que pude ouvir nesses últimos anos. Nervosa, inquietante e extremamente arraigada aos intentos do show, as faixas de Veer transportam para os notas aquilo que a cinematografia faz com as imagens. A teoria de conspiração […] read more
Diegósoto, España Posted on September 12, 2017November 3, 2021 “…Y por último y de nuevo con un papel protagonista a más no poder, nos encontramos con la alucinante banda sonora del músico Cristobal Tapia de Veer. Electrónica seca, dubstep, o como queráis llamarlo, pero es escuchar un par de segundos de sus temas y los pelos como escarpias. Psicodelia, tensión, caña de la buena. […] read more
Série Noire, série ovni par Natalia Wysocka, Canada Posted on September 12, 2017November 3, 2021 “…Notons aussi que la musique, signée Cristobal Tapia de Veer, colle parfaitement avec le ton singulier de la série, enveloppant, rythmant et accentuant avec juste ce qu’il faut d’humour les aventures rocambolesques de la paire…” Read the article here read more
Cristobal Tapia de Veer returns with soundtrack to AMC / C4’s Humans by AgentJ, United Kingdom Posted on September 12, 2017May 3, 2019 “In a companion piece of sorts to his excellent work on Utopia (across two vinyl albums if you can find them), Tapia de Veer returns with a heavily ‘synth’ laden score (that’s a pun if you know the show…) for AMC/C4 joint venture Humans…” Read the article here read more
The Crimson Petal and the White: Revisiting Victorian era without sexual blinders by Matthew Gilbert, United States Posted on September 12, 2017May 3, 2019 “…director (Marc Munden) makes refreshingly bold choices for the camera and the music. He uses hazy focus and off-kilter framing to set us off-balance, and the soundtrack ranges from gnawing electronic hums to choral ecstasy. It’s all brilliantly, effectively, appropriately jarring, even if it sends the “Masterpiece” crowd to the medicine cabinet for Dramamine…” Read the […] read more
Utopia series 1 soundtrack review by Rob Smedley, United Kingdom Posted on September 12, 2017May 3, 2019 “…The music produced is as eclectic as its instruments. Like a gallery of modern art it bypasses your logic centres and goes straight for a gut reaction. Its creepy electronic tones, unidentifiable moans and vocal rips make it an unsettling, often dislocating experience: one that leaves you feeling like the test subject at the centre […] read more